90 bars of 4/4 at 130 BPM, about 2:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2, 10-11 and 14, and 4 more places -- 16.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 33 times: bars 1, 7, 9, 15, 17, 19 and 27 more.
13 more fills are written out on the fills page.
90 bars across 11 sections: 45 keep time, 33 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 36-41.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
92 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 72 out of 100; the rest of the number is everything around it.
90 bars, about 2:45 at the written tempo. The course breaks it into 46 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 33 times: bars 1, 7, 9, 15, 17, 19 and 27 more.