63 bars of 4/4 at 130 BPM, about 2:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 10-12, 14-16 and 18 -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 9 times: bars 6, 7, 9, 13, 17, 20 and 3 more.
3 more fills are written out on the fills page.
63 bars across 9 sections: 36 keep time, 9 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 50-58.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
92 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 62 out of 100; the rest of the number is everything around it.
63 bars, about 2:06 at the written tempo. The course breaks it into 34 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 6, 7, 9, 13, 17, 20 and 3 more.