153 bars of 3/4 -- not four -- at 121 BPM, 3:48 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17-23, 25-31 and 33-39, and 2 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 12 times: bars 24, 40, 44, 48, 72, 80 and 6 more.
153 bars across 9 sections: 97 keep time, 12 are fills, 32 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-16.
121 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
153 bars, about 3:48 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 12 times: bars 24, 40, 44, 48, 72, 80 and 6 more.