109 bars of 4/4 at 124 BPM, about 3:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-21, 39-43 and 53-56, and 2 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 10 times: bars 8, 22, 44, 60, 63, 64 and 4 more.
2 more fills are written out on the fills page.
109 bars across 13 sections: 70 keep time, 10 are fills and 14 are stops. The longest unbroken stretch of time is bars 79-90.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
109 bars, about 3:30 at the written tempo. The course breaks it into 35 exercises over 8 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 8, 22, 44, 60, 63, 64 and 4 more.