181 bars of 4/4 at 133 BPM, about 5:27 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 27-29, 31 and 33, and 18 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 17 times: bars 22, 42, 58, 66, 74, 82 and 11 more.
5 more fills are written out on the fills page.
181 bars across 10 sections: 87 keep time, 17 are fills, 59 are stops and 9 are silent. The longest unbroken stretch of time is bars 9-21.
133 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
181 bars, about 5:27 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 17 times: bars 22, 42, 58, 66, 74, 82 and 11 more.