140 bars of 4/4 at 110 BPM, about 5:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-28 -- 11.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 35 times: bars 6, 9, 32, 33, 34, 38 and 29 more.
13 more fills are written out on the fills page.
140 bars across 13 sections: 50 keep time, 35 are fills, 37 are stops and 5 are silent. The longest unbroken stretch of time is bars 13-28.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
140 bars, about 5:05 at the written tempo. The course breaks it into 54 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 35 times: bars 6, 9, 32, 33, 34, 38 and 29 more.