183 bars of 4/4 at 120 BPM, about 6:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 53, 55 and 57, and 8 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 17 times: bars 22, 27, 28, 32, 36, 44 and 11 more.
6 more fills are written out on the fills page.
183 bars across 11 sections: 124 keep time, 17 are fills, 27 are stops and 7 are silent. The longest unbroken stretch of time is bars 61-79.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
183 bars, about 6:06 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 22, 27, 28, 32, 36, 44 and 11 more.