130 bars of 4/4 at 120 BPM, about 4:20 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-8, 10-12 and 14-16, and 9 more places -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 17 times: bars 5, 19, 43, 49, 51, 52 and 11 more.
3 more fills are written out on the fills page.
130 bars across 8 sections: 101 keep time, 17 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 107-129.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
130 bars, about 4:20 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 5, 19, 43, 49, 51, 52 and 11 more.