162 bars at 200 BPM -- fast, and 3:14 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-22, 34 and 90, and 2 more places -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 42 times: bars 8, 12, 15, 16, 23, 24 and 36 more.
12 more fills are written out on the fills page.
162 bars across 25 sections: 86 keep time, 42 are fills, 14 are stops and 9 are silent. The longest unbroken stretch of time is bars 111-119.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
162 bars, about 3:14 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 42 times: bars 8, 12, 15, 16, 23, 24 and 36 more.