233 bars at 162 BPM -- fast, and 5:38 of it without a break -- on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-39, 41-43 and 45-51, and 6 more places -- 34.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 15 times: bars 20, 24, 32, 36, 64, 93 and 9 more.
233 bars across 24 sections: 144 keep time, 15 are fills, 39 are stops and 10 are silent. The longest unbroken stretch of time is bars 68-86.
162 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
233 bars, about 5:38 at the written tempo. The course breaks it into 56 exercises over 15 sittings, about 28 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 15 times: bars 20, 24, 32, 36, 64, 93 and 9 more.