227 bars, 15:05, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 87-89, 92-95 and 98, and 7 more places -- 6.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34 fills to learn, played 72 times: bars 5, 6, 7, 8, 12, 28 and 66 more.
30 more fills are written out on the fills page.
227 bars across 23 sections: 121 keep time, 72 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 57-65.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
73 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 63 out of 100; the rest of the number is everything around it.
227 bars, about 15:05 at the written tempo. The course breaks it into 113 exercises over 35 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
34 fills to learn, played 72 times: bars 5, 6, 7, 8, 12, 28 and 66 more.