178 bars at 220 BPM -- fast, and 3:03 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21, 25 and 27, and 13 more places -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 40 times: bars 10, 11, 12, 13, 14, 15 and 34 more.
10 more fills are written out on the fills page.
178 bars across 16 sections: 43 keep time, 40 are fills, 67 are stops and 19 are silent. The longest unbroken stretch of time is bars 67-73.
220 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
178 bars, about 3:03 at the written tempo. The course breaks it into 49 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 40 times: bars 10, 11, 12, 13, 14, 15 and 34 more.