62 bars of 4/4 at a walking 91 BPM, 2:44 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-8, 17-20 and 29-32, and 1 more place -- 29.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 2 times: bars 61 and 62.
62 bars across 9 sections: 38 keep time, 2 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 18-35.
91 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
62 bars, about 2:44 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 2 times: bars 61 and 62.