115 bars, 7:14, at 60 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 18-20, 22-24 and 26-28, and 5 more places -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 5 times: bars 1, 33, 41, 73 and 115.
1 more fill is written out on the fills page.
115 bars across 6 sections: 101 keep time and 5 are fills. The longest unbroken stretch of time is bars 95-114.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
115 bars, about 7:14 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 5 times: bars 1, 33, 41, 73 and 115.