82 bars of 4/4 at 115 BPM, about 2:49 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 8-22 -- 20.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 2 times: bars 33 and 35.
82 bars across 10 sections: 50 keep time, 2 are fills, 13 are stops and 8 are silent. The longest unbroken stretch of time is bars 8-25.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
82 bars, about 2:49 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 23 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
1 fill to learn, played 2 times: bars 33 and 35.