72 bars of 4/4 at 135 BPM, about 2:07 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 8 and 12, and 4 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 24, 26, 28, 33, 34, 42 and 6 more.
3 more fills are written out on the fills page.
72 bars across 6 sections: 39 keep time, 14 are fills and 15 are stops. The longest unbroken stretch of time is bars 1-19.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
72 bars, about 2:07 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 24, 26, 28, 33, 34, 42 and 6 more.