210 bars of 4/4 at 148 BPM, about 5:41 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-24, 26-32 and 146-147, and 15 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 10 times: bars 25, 33, 49, 123, 125, 127 and 4 more.
210 bars across 13 sections: 158 keep time, 10 are fills, 7 are stops and 24 are silent. The longest unbroken stretch of time is bars 170-204.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
210 bars, about 5:41 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 10 times: bars 25, 33, 49, 123, 125, 127 and 4 more.