300 bars of 4/4 at 142 BPM, about 9:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2-6, 8-12 and 14-17, and 10 more places -- 22.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
24 fills to learn, played 39 times: bars 1, 18, 19, 29, 37, 49 and 33 more.
20 more fills are written out on the fills page.
300 bars across 24 sections: 174 keep time, 39 are fills, 23 are stops and 49 are silent. The longest unbroken stretch of time is bars 131-147.
142 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
300 bars, about 9:23 at the written tempo. The course breaks it into 78 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
24 fills to learn, played 39 times: bars 1, 18, 19, 29, 37, 49 and 33 more.