107 bars of 4/4 at 110 BPM, about 3:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 39-41, and 7 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 15 times: bars 14, 18, 22, 26, 30, 34 and 9 more.
6 more fills are written out on the fills page.
107 bars across 13 sections: 76 keep time, 15 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 98-107.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
107 bars, about 3:53 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 15 times: bars 14, 18, 22, 26, 30, 34 and 9 more.