221 bars of 4/4 at 120 BPM, about 7:20 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 58-64, 89-95 and 185-191, and 1 more place -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 40 times: bars 25, 26, 33, 35, 43, 51 and 34 more.
14 more fills are written out on the fills page.
221 bars across 21 sections: 127 keep time, 40 are fills, 22 are stops and 19 are silent. The longest unbroken stretch of time is bars 136-158.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
221 bars, about 7:20 at the written tempo. The course breaks it into 69 exercises over 21 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 40 times: bars 25, 26, 33, 35, 43, 51 and 34 more.