467 bars of 3/4 -- not four -- at 140 BPM, 10:12 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45-47, 53 and 118, and 37 more places -- 19.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 114 times: bars 28, 29, 32, 40, 48, 49 and 108 more.
23 more fills are written out on the fills page.
467 bars across 25 sections: 246 keep time, 114 are fills, 65 are stops and 16 are silent. The longest unbroken stretch of time is bars 323-352.
140 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
467 bars, about 10:12 at the written tempo. The course breaks it into 88 exercises over 28 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 114 times: bars 28, 29, 32, 40, 48, 49 and 108 more.