264 bars of 4/4 at 119 BPM, about 9:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 169, 171 and 173, and 9 more places -- 5.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
32 fills to learn, played 76 times: bars 5, 16, 18, 20, 22, 23 and 70 more.
29 more fills are written out on the fills page.
264 bars across 22 sections: 127 keep time, 76 are fills, 5 are stops and 33 are silent. The longest unbroken stretch of time is bars 137-151.
119 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
84 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 73 out of 100; the rest of the number is everything around it.
264 bars, about 9:42 at the written tempo. The course breaks it into 105 exercises over 37 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 76 times: bars 5, 16, 18, 20, 22, 23 and 70 more.