215 bars of 4/4 at a walking 98 BPM, 8:40 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 100-131 -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 4 times: bars 136, 137, 138 and 167.
215 bars across 20 sections: 174 keep time, 4 are fills, 2 are stops and 1 is silent. The longest unbroken stretch of time is bars 101-130.
98 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
215 bars, about 8:40 at the written tempo. The course breaks it into 63 exercises over 27 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 4 times: bars 136, 137, 138 and 167.