64 bars of 4/4 at a walking 100 BPM, 2:34 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-19, 22-23 and 38-39, and 3 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 1, 2, 4, 10, 12, 15 and 4 more.
64 bars across 7 sections: 38 keep time, 10 are fills, 8 are stops and 1 is silent. The longest unbroken stretch of time is bars 47-54.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
64 bars, about 2:34 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 1, 2, 4, 10, 12, 15 and 4 more.