172 bars of 4/4 at 112 BPM, about 6:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 61-83 and 109-123 -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 6, 7, 8, 12, 20, 84 and 7 more.
4 more fills are written out on the fills page.
172 bars across 15 sections: 101 keep time, 13 are fills, 40 are stops and 6 are silent. The longest unbroken stretch of time is bars 62-83.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
172 bars, about 6:02 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 6, 7, 8, 12, 20, 84 and 7 more.