74 bars of 4/4 at 120 BPM, about 2:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 2-4, 10-12 and 50-52 -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 2 times: bars 33 and 53.
74 bars across 11 sections: 53 keep time, 2 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 1-12.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
74 bars, about 2:28 at the written tempo. The course breaks it into 33 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 2 times: bars 33 and 53.