152 bars of 4/4 at 120 BPM, about 4:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 79-80, 82-83 and 85-86, and 10 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 14 times: bars 30, 38, 42, 46, 55, 59 and 8 more.
4 more fills are written out on the fills page.
152 bars across 14 sections: 110 keep time, 17 are fills, 8 are stops and 2 are silent. The longest unbroken stretch of time is bars 79-104.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
152 bars, about 4:48 at the written tempo. The course breaks it into 45 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 14 times: bars 30, 38, 42, 46, 55, 59 and 8 more.