61 bars of 4/4 at 125 BPM, about 1:57 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 43-45 and 47-49 -- 9.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 1 time: bar 46.
61 bars across 2 sections: 10 keep time, 1 is a fill and 49 are stops. The longest unbroken stretch of time is bars 1-4.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 94 out of 100; the rest of the number is everything around it.
61 bars, about 1:57 at the written tempo. The course breaks it into 7 exercises over 3 sittings, about 21 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
1 fill to learn, played 1 time: bar 46.