104 bars of 8/4 -- not four -- at 130 BPM, 6:24 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 16 and 28, and 6 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 17 times: bars 2, 17, 18, 20, 21, 22 and 11 more.
4 more fills are written out on the fills page.
104 bars across 7 sections: 28 keep time, 17 are fills, 1 is a stop and 52 are silent. The longest unbroken stretch of time is bars 23-31.
130 BPM, in 8/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
104 bars, about 6:24 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 2, 17, 18, 20, 21, 22 and 11 more.