182 bars of 4/4 at 120 BPM, about 6:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 7-8, 11-12 and 15, and 13 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 51 times: bars 5, 9, 13, 16, 21, 24 and 45 more.
16 more fills are written out on the fills page.
182 bars across 20 sections: 92 keep time, 51 are fills, 12 are stops and 4 are silent. The longest unbroken stretch of time is bars 77-91.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
182 bars, about 6:06 at the written tempo. The course breaks it into 61 exercises over 15 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 51 times: bars 5, 9, 13, 16, 21, 24 and 45 more.