68 bars of 4/4 at 125 BPM, about 2:10 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 44-50, 52-59 and 64-65 -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 9 times: bars 25, 27, 33, 34, 35, 36 and 3 more.
1 more fill is written out on the fills page.
68 bars across 4 sections: 27 keep time, 9 are fills, 18 are stops and 14 are silent. The longest unbroken stretch of time is bars 44-59.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 17 out of 100; the rest of the number is everything around it.
68 bars, about 2:10 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 25, 27, 33, 34, 35, 36 and 3 more.