160 bars of 4/4 at a walking 100 BPM, 6:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-22, 25-30 and 41-46, and 4 more places -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 38 times: bars 8, 15, 16, 23, 24, 31 and 32 more.
13 more fills are written out on the fills page.
160 bars across 14 sections: 108 keep time and 38 are fills. The longest unbroken stretch of time is bars 1-7.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
160 bars, about 6:24 at the written tempo. The course breaks it into 48 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 38 times: bars 8, 15, 16, 23, 24, 31 and 32 more.