64 bars of 4/4 at 150 BPM, about 1:34 of playing, on crash, ride, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-19, 21-23 and 25-27, and 1 more place -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 5 times: bars 8, 16, 40, 48 and 65.
1 more fill is written out on the fills page.
69 bars across 4 sections: 53 keep time, 5 are fills and 8 are stops. The longest unbroken stretch of time is bars 18-31.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
64 bars, about 1:34 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 5 times: bars 8, 16, 40, 48 and 65.