141 bars of 4/4 at 134 BPM, about 4:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 123-126 and 129-136 -- 8.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 35 times: bars 8, 9, 34, 35, 36, 37 and 29 more.
5 more fills are written out on the fills page.
152 bars across 13 sections: 82 keep time, 35 are fills, 14 are stops and 6 are silent. The longest unbroken stretch of time is bars 12-26.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
141 bars, about 4:03 at the written tempo. The course breaks it into 52 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 35 times: bars 8, 9, 34, 35, 36, 37 and 29 more.