118 bars of 4/4 at a walking 88 BPM, 5:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-19, 53-55 and 70-72, and 1 more place -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 28 times: bars 1, 2, 10, 11, 12, 44 and 22 more.
4 more fills are written out on the fills page.
122 bars across 17 sections: 69 keep time and 28 are fills. The longest unbroken stretch of time is bars 113-121.
88 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
118 bars, about 5:15 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 28 times: bars 1, 2, 10, 11, 12, 44 and 22 more.