152 bars of 4/4 at 110 BPM, about 5:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 116-119, 121-122 and 125-139 -- 13.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 29 times: bars 4, 8, 12, 16, 32, 36 and 23 more.
19 more fills are written out on the fills page.
152 bars across 17 sections: 74 keep time, 29 are fills, 31 are stops and 1 is silent. The longest unbroken stretch of time is bars 117-141.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 84 out of 100; the rest of the number is everything around it.
152 bars, about 5:29 at the written tempo. The course breaks it into 60 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 29 times: bars 4, 8, 12, 16, 32, 36 and 23 more.