118 bars at 175 BPM -- fast, and 2:42 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35, 37 and 39, and 9 more places -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 47 times: bars 3, 4, 6, 7, 9, 10 and 41 more.
15 more fills are written out on the fills page.
118 bars across 16 sections: 46 keep time, 47 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 28-32.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
118 bars, about 2:42 at the written tempo. The course breaks it into 58 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 47 times: bars 3, 4, 6, 7, 9, 10 and 41 more.