127 bars of 4/4 at a walking 90 BPM, 5:23 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 54, 56 and 58, and 15 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 22 times: bars 4, 7, 15, 16, 17, 20 and 16 more.
10 more fills are written out on the fills page.
141 bars across 15 sections: 70 keep time, 22 are fills, 13 are stops and 24 are silent. The longest unbroken stretch of time is bars 61-67.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
127 bars, about 5:23 at the written tempo. The course breaks it into 51 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 22 times: bars 4, 7, 15, 16, 17, 20 and 16 more.