103 bars of 3/4 -- not four -- at 120 BPM, 2:51 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-17 and 39-45 -- 13.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 26 times: bars 18, 21, 22, 29, 36, 46 and 20 more.
6 more fills are written out on the fills page.
103 bars across 10 sections: 42 keep time, 26 are fills, 24 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-9.
120 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 74 out of 100; the rest of the number is everything around it.
103 bars, about 2:51 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 26 times: bars 18, 21, 22, 29, 36, 46 and 20 more.