130 bars at 233 BPM -- fast, and 2:14 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-7, 16-21 and 44-54, and 2 more places -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 9 times: bars 15, 22, 23, 39, 43, 55 and 3 more.
2 more fills are written out on the fills page.
130 bars across 10 sections: 64 keep time, 10 are fills and 47 are stops. The longest unbroken stretch of time is bars 25-38.
233 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
56 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 30 out of 100; the rest of the number is everything around it.
130 bars, about 2:14 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 15, 22, 23, 39, 43, 55 and 3 more.