91 bars, 6:01, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 1-17 and 38-39 -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 27 times: bars 24, 25, 26, 28, 30, 32 and 21 more.
5 more fills are written out on the fills page.
91 bars across 9 sections: 54 keep time and 27 are fills. The longest unbroken stretch of time is bars 1-17.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
70 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 0 out of 100; the rest of the number is everything around it.
91 bars, about 6:01 at the written tempo. The course breaks it into 38 exercises over 13 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 27 times: bars 24, 25, 26, 28, 30, 32 and 21 more.