112 bars of 4/4 at 120 BPM, about 3:44 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 16-18, 20 and 26-30, and 6 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 15, 19, 23, 31, 39, 47 and 16 more.
6 more fills are written out on the fills page.
112 bars across 14 sections: 52 keep time, 22 are fills, 5 are stops and 21 are silent. The longest unbroken stretch of time is bars 33-38.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
112 bars, about 3:44 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 15, 19, 23, 31, 39, 47 and 16 more.