89 bars of 3/4 -- not four -- at 100 BPM, 3:01 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 24-26, 28-30 and 52-54, and 5 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 25 times: bars 9, 10, 11, 12, 13, 14 and 19 more.
3 more fills are written out on the fills page.
89 bars across 10 sections: 53 keep time, 25 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 17-22.
100 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 47 out of 100; the rest of the number is everything around it.
89 bars, about 3:01 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 25 times: bars 9, 10, 11, 12, 13, 14 and 19 more.