205 bars of 4/4 at a walking 99 BPM, 8:02 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 43-45, 47-49 and 94-96, and 5 more places -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 42, 54, 93, 105, 139, 143 and 1 more.
1 more fill is written out on the fills page.
215 bars across 25 sections: 141 keep time, 7 are fills, 8 are stops and 35 are silent. The longest unbroken stretch of time is bars 55-70.
99 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
205 bars, about 8:02 at the written tempo. The course breaks it into 58 exercises over 18 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 42, 54, 93, 105, 139, 143 and 1 more.