80 bars of 4/4 at a walking 94 BPM, 3:21 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 19-21, and 13 more places -- 34.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 16 times: bars 5, 13, 18, 26, 30, 34 and 10 more.
6 more fills are written out on the fills page.
80 bars across 7 sections: 54 keep time, 16 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 6-12.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
80 bars, about 3:21 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 16 times: bars 5, 13, 18, 26, 30, 34 and 10 more.