150 bars at 170 BPM -- fast, and 3:32 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-27, 29-31 and 33-35, and 3 more places -- 25.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16 fills to learn, played 45 times: bars 4, 5, 6, 7, 8, 10 and 39 more.
12 more fills are written out on the fills page.
150 bars across 12 sections: 86 keep time, 45 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 86-100.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
150 bars, about 3:32 at the written tempo. The course breaks it into 51 exercises over 13 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 45 times: bars 4, 5, 6, 7, 8, 10 and 39 more.