147 bars at 175 BPM -- fast, and 3:22 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 26-40 and 74-88 -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 40 times: bars 1, 5, 11, 13, 14, 15 and 34 more.
5 more fills are written out on the fills page.
147 bars across 17 sections: 71 keep time, 40 are fills, 13 are stops and 1 is silent. The longest unbroken stretch of time is bars 25-40.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
147 bars, about 3:22 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 40 times: bars 1, 5, 11, 13, 14, 15 and 34 more.