139 bars of 4/4 at 125 BPM, about 4:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 21-22, 25-27 and 45-46, and 5 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 11 times: bars 34, 70, 88, 89, 93, 96 and 5 more.
4 more fills are written out on the fills page.
139 bars across 16 sections: 87 keep time, 12 are fills, 14 are stops and 6 are silent. The longest unbroken stretch of time is bars 10-26.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
139 bars, about 4:26 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 11 times: bars 34, 70, 88, 89, 93, 96 and 5 more.