119 bars of 4/4 at 148 BPM, about 3:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3, 5-11 and 13-27, and 4 more places -- 34.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 1, 2, 44, 76, 116 and 117.
119 bars across 6 sections: 103 keep time, 6 are fills and 1 is a stop. The longest unbroken stretch of time is bars 3-27.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
119 bars, about 3:13 at the written tempo. The course breaks it into 24 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 1, 2, 44, 76, 116 and 117.