240 bars at 173 BPM -- fast, and 5:40 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 175, 180-194 and 197-204, and 5 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 80 times: bars 6, 7, 8, 15, 16, 17 and 74 more.
8 more fills are written out on the fills page.
240 bars across 19 sections: 122 keep time, 80 are fills, 10 are stops and 8 are silent. The longest unbroken stretch of time is bars 181-204.
173 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
240 bars, about 5:40 at the written tempo. The course breaks it into 71 exercises over 24 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 80 times: bars 6, 7, 8, 15, 16, 17 and 74 more.